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Cathi Walkup: Songs for the New De

Singer/Songwriter Date in Santa Clara 7/31/10 - August 3, 2010

THE LADIES OF JAZZ
Mission City presents Ladies of Jazz

Times are tough on the Bay Area music scene and gigs are scarce, but four fine female jazz singers are setting aside the competitive spirit and joining forces Saturday night at Santa Clara's Mission City Coffee Roasting Co.

Spearheaded by Sunnyvale-based vocalist Leanne Weatherly, the Ladies of Jazz program features Melissa Dinwiddie, Jennifer Lee and Cathi Walkup. While each artist possesses a distinctive voice, what makes the event unusual for a jazz show is that the women are focusing on original songs rather than American Songbook standards. The novelty for the vocalists is the all-too-rare opportunity to hear each other and hang out.

"Though we're all jazz singers, everyone's got a different style," says Weatherly, an active force in the West Coast Songwriters Association. "That's what make a concert interesting, especially performed in the round. It's not just sharing music with our audience, it's getting together and sharing music with each other."

Walkup is the veteran of the quartet, and too little heard in the South Bay. A savvy songwriter with a gift for socially incisive lyrics, she makes the most of her small range through deftly swinging phrasing and artful use of space.

She's got a long track record of supporting her colleagues, including a popular 2000 release "Quint-Essential" showcasing five vocalists (including Jennifer Lee). While the other jazz ladies will perform with a trio led by pianist Tom Tomasello, Walkup is bringing her own accompanist, pianist/singer Shanna Carlson, with whom she composed and performed the show "Almost Famous, The Musical." Walkup also hosts Bird's Nest, a monthly house concert series at her Oakland condo (the stylish chanteuse Denise Perrier kicks off the new season on Sept. 26).

"It's always really great when you can create opportunity, especially when work is really slim like right now," Walkup says. "It's still competitive. We're all trying to go for the same gigs. But I like the way singers support each other. When I performed in New York recently 90 percent of my audience was other singers who came out."

Lee probably maintains the highest profile of the four singers. Her latest album, 2009's Brazilian-inflected "Quiet Joy," received strong reviews in the national jazz press and features an array of West Coast jazz talent, from the ace Bay Area pianist David Udolf to the world-class San Diego rhythm section of guitarist Peter Sprague, drummer Duncan Moore and bass virtuoso Bob Magnusson.

Lee, who also accompanies herself on guitar and piano, used to be a regular at the Hotel De Anza's Hedley Club, though recently she's moved to the Fairmont San Jose, playing solo at Pagoda Restaurant's Bamboo Lounge and with her trio in the hotel's main lounge. With her cool, almost vibratoless alto Lee sounds ideally suited for bossa nova, though she can also deliver finger-snapping blues with quiet authority.

While she wasn't familiar with Weatherly and Dinwiddie's work before Saturday's show came together, she's had a chance to check out their music and is eager to see her peers in action.

"We all get so busy," Lee said by phone after a concert in Iowa. "Writing music and preparing for our gigs can be a real solitary thing. I don't have that many opportunities to connect with other women doing what I do, and I've been really inspired by what I hear from them."

Dinwiddie is the most recent arrival on the Bay Area jazz vocal scene, though she brings a lot of creative history to the bandstand. The Mountain View graphic artist studied dance at Juilliard and has worked as a calligraphy specialist since 1995.

Looking for another creative outlet after calligraphy became her vocation, Dinwiddie started studying voice, and eventually took advantage of the Bay Area's vast vocal resources, studying at De Anza College, the Stanford Jazz Workshop and Jazz Camp WEST.

After several years of sitting in regularly with Mark Richards at Cattleman's in Sunnyvale, she started working her own gigs in 2006. Dinwiddie made a strong impression with her first CD, "Online Dating Blues," a sassy session featuring sharply observed originals like "He's Just Not That Into You" and "Married Men."

"Madeline Eastman is probably my strongest influence," says Dinwiddie, who also performs on Aug. 19 at Mountain View's Thursday Night Live concert series, and Aug. 29 at the Palo Alto Festival of the Arts. "She's an incredibly generous person and brilliant creative talent. And Mark Richards is a tremendous mentor. I still sit in on his gigs.

"I've been at this a lot less time than the other women on this program. I'm so excited to be joining them."

Ladies of Jazz

With: Leanne Weatherly, Cathi Walkup, Melissa Dinwiddie, Jennifer Lee
When: 7:30 p.m. Saturday
Where: Mission City Coffee Roasting Co., 2221 The Alameda, Santa Clara
Tickets: $10,
408-261-2221

Cathi's original LYRICS - June 1, 2010

SOME OF CATHI'S ORIGINALS & LYRICS

DON'T TOUCH MY BISCUIT
(ODE TO OLE'S WAFFLE SHOP -
INSPIRED BY LARRY SMITH)

HONEY YOU CAN STEAL MY CAR
BUT I GUARANTEE YOU WON'T GET FAR
IT'S AS OLD AS IT CAN BE
IT'S FROM 1983
YOU'LL HAVE TO FIX IT!

NOW I DON'T WANT TO DO YOU HARM
BUT IF YOU WANT TO KEEP YOUR ARM
DON'T TOUCH MY BISCUIT!


HONEY IF YOU'RE NEEDIN' CASH
I WILL GIVE YOU HALF MY STASH
IT'S ONLY GOOD FOR BUYIN' STUFF
AND HONEY I HAVE GOT ENOUGH,
SO I WON'T NIX IT!

BUT YOUR BACK I WILL DISABLE
IF YOU REACH ACROSS THAT TABLE
FOR MY BISCUIT!

NOW YOU CAN HAVE SOME OF MY BACON
'CAUSE THEY ALWAYS GIVE TOO MUCH
AND THE SAUSAGE IS DELICIOUS
BUT IT'S NOT MY FAVORITE STUFF

YOU CAN KEEP THE GRITS AND BUTTER
AND I SWEAR THAT I WON'T MIND
BUT KEEP YOUR COTTIN' PICKIN' HANDS
OFF THAT BISCUIT OF MINE!

HONEY IF YOU'RE FEELIN' DOWN
I WILL TAKE YOU ON THE TOWN
AND IF WE MAKE A LITTLE STOP
AT OLE'S WAFFLE SHOP
OH PLEASE DON'T RISK IT

YOU KNOW I LOVE YOU VERY MUCH
JUST AS LONG AS YOU DON'T TOUCH
MY BISCUIT!

DON'T TOUCH MY BISCUIT!



HOPELESSLY OPTIMISTIC
(INSPIRED BY BOB DOROUGH)


I GLIDE AHEAD WITH MY HEAD HELD HIGH
YOU SEE THE CLOUDS, I SEE THE SKY
THERE ISN'T ANY REASON WHY
I'M JUST HOPELESSLY OPTIMISTIC

I SEE LITTLE BIRDIES IN THE TALL TREE TOPS
BUT NEVER SEE WHAT THOSE BIRDIES DROPS
WHEN FOLKS SAY "NO" I NEVER STOP, OH NO
'CAUSE I'M HOPELESSLY OPTIMISTIC

I ALWAYS THINK THAT THINGS WILL WORK OUT
AND EVEN WHEN THEY DON'T
I THINK I KNOW THE REASON WHY
'CAUSE MAYBE SOMETHING BETTER
WILL COME FROM IT IN THE END
YOU COULD SAY THAT I'M JUST LUCKY AND SIGH

YOU KEEP TELLIN' ME, OPEN UP MY EYES
PERHAPS TO THINK AS OTHERS DO
BUT I LIKE LIVIN' HERE AND OPTIMISTICALLY
WISH THAT YOU COULD LIVE HERE TOO

TAG: YES, HERE IN OPTIMISTIC LAND THE GRASS IS ALWAYS GREENER
AND FLOWERS EVEN BLOOM IN SNOW
I GUESS THAT ONLY GOES TO SHOW, OH YEAH,
THAT I'M HOPELESSLY
IT'S HOPELESS YOU SEE
I'M JUST HOPELESSLY
OPTIMISTIC

CLOUDS (NUAGES)

CLOUDS ARE DRIFTING ABOVE
IN SKIES OF BLUE
THERE’S AN ACHE IN MY HEART
I THINK IT’S YOU

YOU WERE ONCE A PART OF ME
BUT HAVE MOVED ACROSS THE SEA
AND OUR LOVE HAS CHANGED ITS SHAPE AGAIN
AS CLOUDS OFTEN DO

I STILL HOLD YOU IN MY HEART,
BUT NOT THE SAME
LOVE KEEPS CHANGING EVERY DAY
YET YOU REMAIN

I HAVE LOVED YOU AT THE FIRST
I WILL LOVE YOU AT THE LAST
AND OUR LOVE WILL HAVE TO BE
WHAT IT
CAN
BE
CATHI WALKUP FROM THE ALBUM “QUINT-ESSENTIAL”


HANG UP AND DRIVE

PEOPLE THAT YA KNOW, RUSHIN’ TO AND FRO
ALWAYS STRATEGIZIN’, NEVER REALIZIN’
WHEN TO TAKE IT SLOW

REACHIN’ FOR THE TOP, YOU CAN NEVER STOP
ALWAYS MULTITASKIN’ , SOMEHOW NEVER ASKIN’
WHAT IT IS YOU’VE GOT

I CAN SEE YOU, FLYIN’ DOWN THE HIGHWAY
YOU’RE THE ONE WHO’S TALKIN’ ON THE PHONE
AS YOU’RE SWERVIN’ , DO YOU SEE THAT CAR BESIDE YOU?
THAT MIGHT BE ME
BEGGIN’ PLEASE HANG UP THE PHONE

HANG UP AND DRIVE, HANG UP AND DRIVE
IT’S ALL RIGHT TO RISK YOUR LIFE
BUT I’D PREFER
THAT YOU DON’T RISK MINE
STAYIN’ ALIVE, STAYIN’ ALIVE
HAS ALAWYS BEEN A GOAL OF MINE
I’M BEGGIN’ YA NOW
HANG UP AND DRIVE

YOUNGEST CEO, ALWAYS ON THE GO
HIGHLY PRESSURIZIN’ NEVER REALIZIN’
YOU MUST PAY THE TOLL
WITH YOUR LAPTOP FAX, NEVER CAN RELAX
ALL THE COMPETITION REALLY GOT YOU MISSIN’
WHERE IT’S REALLY AT
I CAN SEE YOU, ON THE CITY STREETS
ANOTHER ONE WHO’S, TALKIN’ ON THE PHONE
WON’T YOU TRY TO , TRY TO SEE IT MY WAY
JUST HANG UP NOW, AND LEAVE THAT PHONE ALONE
HANG UP AND DRIVE, HANG UP AND DRIVE
IT’S ALL RIGHT TO RISK YOUR LIFE
BUT I’D PREFER
THAT YOU DON’T RISK MINE

STAYIN’ ALIVE, STAYIN’ ALIVE
HAS ALAWYS BEEN A GOAL OF MINE
I’M BEGGIN’ YA NOW
HANG UP AND DRIVE
CATHI WALKUP FROM THE ALBUM TO BE RELEASED 2002

LITTLE SUZIE’S HUMMING

DAYS IN PARKS, AND BEING PUSHED IN CARTS
AND SUSIE HUMS, HUMS, HUMS,
CONTENTEDLY
HUMS, HUMS, HUMS,
SHE’S PLAYIN’ ON SWINGS AND THINGS
AND RIDING ON THE MERRY-GO-ROUND
AND LIFE IS SO MUCH FUN THAT
LITTLE SUZIE HUMS, NOW

PLAYGROUND SLIDES AND OTHER KIDS HER SIZE
AND SUZIE HUMS A SONG
SHE’S MAKING UP
JUST TO HEAR
IT GO UP AND DOWN
SHE DOESN’T KNOW THE WORDS
BUT DEEP IN HER HEART
SHE KNOWS THE FEELING’S THERE AND
HUMS IT IT IN THE AIR, NOW

PIGTAILS AND TIGHTS
AND SLEEP OVER NIGHTS
AND WHISPERING SECRETS TO MAKE SOMEBODY GRIN
AND THEY LET YOU WIN THE GAME SOMETIMES

ONE TRUE FRIEND, WHO WILL KEEP YOUR SECRETS IN
AND NEVER TELL, NO, NO
BUT SHE’LL TELL YOU HERS, AND YOU WON’T TELL THEM
A FRIENDSHIP FAST THAT GOING TO LAST YOU ALL OF YOUR LIFE
A PATH HAS JUST BEGUN
AND LITTLE SUSIE HUMS, NOW
CATHI WALKUP FROM THE ALBUM “LIVING IN A DAYDREAM”


LIVING IN A DAYDREAM

LIVING IN A DAYDREAM,
NOTHING’S EVER QUITE WHAT IT SEEMS
WHEN YOU’RE LIVING IN A DAYDREAM,
BUILDING CASTLES IN THE AIR

SAFE WITHIN YOUR DAYDREAM,
IN A CLIMATE MADE FOR LOVE
EVERYTHING GOES YOUR WAY
AND IT FITS YOU LIKE A GLOVE

LIVING IN A DAYDREAM,
SO YOU HAVEN’T GOT AN INKLING
WHEN REALITY COMES LURKING,
YOU PRETEND IT ISN’T THERE

BUT WHEN YOUR EYES ARE OPEN,
HERE YOU ARE STILL HEARTBROKEN
DAY DREAMS JUST SEEM TO MELT AWAY

DAY DREAMS MAY BE SO LOVELY,
BUT IN THE END YOU WILL SEE
LIFE IS WHAT YOU MAKE IT DAY TO DAY
CATHI WALKUP FROM THE ALBUM “LIVING IN A DAYDREAM”


MORE THAN POOR CLAY

I TRY TO BE
ALL I CAN BE
I TRY TO RISE UP ABOVE
ALL LIFE’S PETTY PROBLEMS
BUT SOMETIMES I JUST FEEL
AS THOUGH i’M REALLY ONLY MADE OF POOR CLAY

SO THEN,
I START TO FLOAT,
BEGIN TO SOAR
I’M COPPIN’ AN ATTITUDE
THAT’S STRICTLY ON THE PLUS SIDE

IT HELPS ME UNDERSTAND
THAT I CAN BE MORE THAN POOR CLAY

SOMETIMES JUST SAYING
THAT YOU ARE BETTER
MAKES YOU FEEL BETTER
THEN YOU GET BETTER

ONWARD AND UPWARD
THAT IS A MOTTO
THAT CAN BE
SO
TRUE
AND MIRACULOUS

WHEN I CAN LOOK
WAY UP ABOVE
& SEE THAT THE CLOUDS ARE NOT
SO VERY HIGH TO WISH FOR
I RISE ABOVE MYSELF
AND KNOW THAT I’M MORE THAN POOR CLAY
CATHI WALKUP FROM THE ALBUM “LIVING IN A DAYDREAM”


I WANNA GO TO TAHITI

I WANNA GO TO TAHITI
AND PLAY ALL DAY IN THE TROPIC SUN
I WANNA GO WITH MY SWEETIE
JUST AS SOON AS I GET ME ONE
I WANNA GO AND DRINK MAI TAIS
SERVED TO ME ON A SILVER TRAY
I WANNA GO TO TAHITI
BUT I CAN’T SEEM TO GET AWAY

‘CAUSE YA GOTTA GO TO WORK
AND SPEND ALL’A YOUR TIME
MAKING OTHER PEOPLE DOLLARS
WHILE THEY PAY YOU A DIME
AND YA GOTTA COOK AND CLEAN
AND DO THE LAUNDRY TOO
THERE’S ABOUT A MILLION THINGS
THAT YA
GOTTA DO

I WANNA GO TO TAHITI
AND PLAY ALL DAY IN THE TROPIC SUN
I WANNA GO WITH MY SWEETIE
‘SPECIALLY NOW THAT I GOT ME ONE
I WANNA GO AND DRINK MAI TAIS
SERVED TO ME ON A SILVER TRAY
I WANNA GO TO TAHITI
BUT I CAN’T SEEM TO GET AWAY
CATHI WALKUP FROM THE ALBUM “NIGHT OWL”


I CAN’T LOOK AT YOU

I CAN’T LOOK AT YOU
FOR MY EYES WOULD SURELY GIVE MY HEART
AWAY

IF I LOOKED AT YOU
I WOULD SAY THE WORDS I KNOW I CANNOT SAY

IT SCARES ME SO
FOR YOU TO KNOW
ALL THE SECRETS I’VE GUARDED SO LONG

YET I KNOW
IF I LET GO
YOU WOULD KNOW ALL THE WORDS TO MY SONG

I CAN’T LOOK AT YOU
BUT I THINK THAT IF I DID YOU’D UNDERSTAND

IF I LOOKED AT YOU
WOULD YOU KNOW ENOUGH TO SIMPLY TAKE MY HAND?

IT WOULD BE GRAND
IF YOU
COULD SEE
ME TOO
_CATHI WALKUP - FROM THE ALBUM “NIGHT OWL” _

Songs For The New Depression - February 5, 2010

FORGET YOUR TROUBLES, COME ON GET HAPPY WITH CATHI WALKUP

"Unemployment was at an all time high, banks were failing left and right and people were losing their homes - and that was just last year" observes Cathi as she begins the musical journey of "SONGS FOR THE NEW DEPRESSION" Using songs from the past Great Depression and from the current not so Great Depression, with large dollops of humor, swing and bop, she manages to take a rather depressing subject and stand it on it's ear.

Her "smoked cheddar alto" can take the knots right out of your neck, or she can rip through a vocalese number and energize an entire room. Being an accomplished lyricist herself she highly values the written word and delivers the story from her heart, giving a fresh and rhythmic interpretation to lyrics you may have heard a thousand times.

"Ms. Walkup casts an enchanting spell..." Donna Kimura - Jazzreview.com

"She stays low and spins the lyric with dizzy rhythms" - Jazz Improv Magazine

Cathi included in new book "The Jazz Singers, The Ultimate Guide" by jazz critic Scott Yanow - October 30, 2008

I am very pleased to be included in Scott Yanow's new book (just got my advance copy yesterday) and to find myself listed in the front section titled "The 521 Great Jazz Singers" (page 220). I'm in some heady company here. If you like singers you're going to want to get a copy of this book, which I believe will be available through Amazon.com

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